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Albert Huybrechts | Chamber Music I (Ref.: CYP4630)
An accursed artiste, Albert Huybrechts remains today scandalously little-known. However, anyone who actually listens to his music cannot but recognise his obvious talent and a style that goes beyond mere veneration of masters such as Debussy, Ravel and Bartok. Albert Huybrechts, performed by four musicians of the very first order, is revealed as a discovery both compelling and crucial.
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Pierre Bartholomée | a history of the requiem, part 4 (Ref.: CYP1655)
Unlike many liturgical works, Pierre Bartholomée’s Requiem – probably one of the first of the twenty-first century – does not draw on Holy Scripture but on a human tragedy, that of little Jessica, a Rwandan child, the survivor of the genocide that slaughtered nearly 800,000 of her contemporaries, who yet was to find death – a death as tragic as it was absurd – in her country of asylum, the United States of America.
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vivifice spiritus vitae vis (Ref.: CYP1656)
“Vivifice Spiritus Vitae Vis” is the first chapter of “Servabo”, a trilogy dedicated to the Trinity. This original composition by Guido Morini is everything but a pasticcio. The final result is absolutely
“contemporary”, but the “traditional” musical context aids in the comprehension and participation of
the listener.
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Philippe Boesmans | Complete piano works | Surfing (Ref.: CYP4629)
There is something of game-play in the style of Philippe Boesmans. The Belgian composer likes to create illusion,
play the trouble-maker, toss out musical snares, even use a technical difficulty to create a new world, a novel idea.
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Anton Bruckner & Maurice Duruflé | a history of the requiem, part 3 (Ref.: CYP1654)
“A history of the Requiem” takes the music-lover on a journey through the very varied history of the requiem.
Presenting one work per century seemed to be just right for illustrating the evolution of this, one of the most
significant musical forms in the history of music. This third volume presents works by Bruckner and Duruflé.
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pitié! (Ref.: CYP0604)
After the success of VSPRS and Monteverdi, Alain Platel and Fabrizio Cassol once more join their talents for pitié! This new work was inspired by Bach’s Saint Matthew Passion, transposed into a musical style interwoven with multifarious influences.
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